W O R D S (about) |
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Anomie Collections 1 features work purchased for a group of collectors, with accompanying texts from Anneka French & Matt Price, 2023 |
'Cathy Lomax talks to Grace O'Connor, Julie Curtiss, Gina Beavers & Makeup Artist Sharon Dowsett', Turps Painting Magazine, 2021 |
Matt Price, 'Cathy Lomax, The Blind Spot', The Anomie Review of Contemporary British Painting, 2018 |
![]() Paul O'Kane, 'Painting the scene of the Self: the art of Cathy Lomax', Journal of Visual Art Practice, 2018 |
Maria Stenfors, 'Interview with Cathy Lomax', The Century Club, July 2017 |
![]() Alex Michon, 'American Tan: Cathy Lomax's artful mining of her own personal mythologia of the U.S of A', a-n Reviews, October 2015 |
![]() Christopher Townsend, 'Misdirect Movies', Art Monthly, September 2013 |
![]() Jane Boyer, 'A Perfect Wrapper', This Me of Mine, 2013 |
W R I T I N G (by) |
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'Passion, Wildness and Metamorphosis in Gone to Earth', Spectral film journal, issue 1: Desire. |
'Break the Windows: Madame Bovary, Broken Glass, Jennifer Jones, Hysteria', Arty 48: Windows, 2025 |
'Dorothy Dandridge the Invisible Star: Racial Segregation in Hollywood Fan Magazines in the 1950s', in Tamar Jeffers McDonald, Lies Lanckman & Sarah Polley (eds), Stars, Fan Magazines and Audiences, 2023 |
'Makeup as Dark Magic: The Love Witch and the Subversive Female Gaze', Frames Cinema Journal: Issue 16, 'Magical Women Witches and Healers', Winter 2019
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'The Girl with the...', in Catherine Grant & Kate Random Love (eds), Fandom as Methodology, 2019 |
'Ghostly Threads: Painting Marilyn Monroe's White Dresses' in Lucy Bolton (ed), Film, Fashion and Consumption, 2016 |